italy - Marks Meanderings

July 27, 2025July 29, 2025

Uffizi Gallery, Florence, Italy

The world-renowned Uffizi Gallery is home to an extensive collection of art, ancient statues and historical artefacts. Throw in names like Vasari, Leonardo, Raphael, Caravaggio, Michelangelo, and Botticelli and it is easy to see why it ranks so highly in Italy’s attractions, coming second only to the Colosseum in Rome each year.

Construction of the Uffizi Gallery was commissioned in 1560. Although the art draws you in, I’m equally fascinated by its origins and links to the Medici family. These links are perhaps unknown to many but provide a level of intrigue. Join me as I explore its origins and the vast and expansive collection of art.

Uffizi origins

I doubt many know that the Uffizi Gallery they visit today wasn’t built to display art. In 1560 the first Grand Duke of Tuscany (Cosimo I) commissioned the building of the “Uffizi”. Its original purpose was to house the administrative and judiciary offices of Florence.

My Italian lessons continue as I find out that “Uffizi” means offices. Cosimo commissioned his favourite architect (Vasari – remember the rooms in Palazzo Vecchio, the rebuild of Palazzo Pitti and the Vasari corridor) to design them.

To build these new offices, space was needed for the huge complex. Local buildings were pulled down which included the ancient and Romanesque church, San Pier Scheraggio. After Vasari’s death in 1574 the offices were completed in 1581 by architects Buontalenti and Parigi.

Cosimo also instructed that a corridor be built linking the offices and his new residence at Palazzo Pitti. In the post regarding Ponte Vecchio, I discovered that the corridor was named after the man who constructed it – the Vasari corridor.

The corridor took just 5 months to complete and was built to celebrate the marriage between Cosimo’s son Francesco to Giovanna d’Austria in 1565. When visiting the Palazzo Vecchio, you’ll discover that the courtyard behind the main entrance was refurbished by Vasari and decorated in time for their nuptials.

Francesco (Cosimo’s eldest son) was to become the next Duke of Tuscany after his father. He ruled the grand duchy from 1574 until his death in 1587. It was Francesco who decided to set up a private gallery within the Uffizi. This was to house the vastly expanding collection of statues and other precious objects belonging to the Medici family.

The location chosen was the top floor of the east wing. The main room of this private area was the octagonal room called the Tribuna, built by Bernardo Buontalenti in 1584. The stunning room is adorned with thousands of shells on the inside of the dome.

“Uffizi” a museum

Florence is so rich in art, and this is due to one person. This is because the last remaining member of the Medici family, Anna Maria Luisa de’ Medici (sister to the last male Medici Gian Gastone), signed the ‘family pact’. This was an agreement that was made with the new ruling family of Tuscany the Habsburg-Lorraine.

Anna was forward thinking; she saw the value in the art but wondered how it could attract the curiosity of foreigners. You might say she saw the future for the whole of Florence. Her stipulation in the pact was that the art and treasure collected by her family over the centuries should remain in Florence.

It was 16 years after her death that doors of the offices/gallery were opened to the public viewing under the instruction of Grand Duke Peter Leopold. So out of the original administrative offices was born the Uffizi Gallery Museum.

Adoration of the Child and archangel Gabriel

The Uffizi Gallery

Walking around the gallery is a breathtaking experience. I was immediately blown away by the incredible number of statues from Roman times. There are portraits of Agrippa, Nero, Antoninus Pius, Septimius Severus & Marcus Aurelius, to name a few. You could be easily confused, thinking you were in Rome and not Florence.

Whenever one visits a grand building, it is advisable to look up. The beautifully painted ceilings in the corridor of statues add to the majestic atmosphere. At the tops of the walls before the beautiful ceiling there is a fascinating collection of portraits. Some of the portraits look recognisable. Names on the portraits are in Italian. My Italian being non-existent, I would take a guess that some of the kings of England are on display.

The hordes kept piling in. Taking time to appreciate the display of paintings and statues was not easy nor, in the end, was it particularly enjoyable. I’m not sure when the best time would be to visit. I was sufficed with picking out bits of art and rooms that seemed to be ignored.

My fascination with the Medici family continued as I came across two portraits of the famous original members of the family – Cosimo the elder & Lorenzo the magnificent. Another name that has been discovered in these travels was Eleonora of Toledo. She also features in another painting.

Portrait of Eleonora di Toledo with her son Giovanni

Vasari Corridor

The Vasari corridor reopened at the end of 2024 after an 8-year closure. Access to the corridor is through the Gallery of Statues and Paintings. Tickets must be pre-purchased. To walk the corridor is a brilliant opportunity to follow the footsteps of the Medici family. Though bland internally it provides fascinating insight into history and unique viewing points of the city. It is approximately 750m long. The end of the corridor brings you out next to the Grand Gotto in the Boboli Gardens.

Uffizi Gallery Conclusions

Without doubt the Uffizi Gallery is a must see when visiting Florence. Though the rooms and corridors that house the art are impressive they are made so by the art that adorns them. A debate about the most impressive rooms in Florence would include mention of Palazzo Vecchio and Pitti Palace. Those in Uffizi may not be as high on the list.

That said, the collection of ancient statues is incredibly fascinating. It whetted the appetite to delve into Rome and Roman history.

The Cosimo and Vasari combine again to deliver a symbol of Florence. Though not their original plans I think everyone who visits fully appreciates the work.

So, the Uffizi can be put on a list of the great art museums around the world. The Vatican, the Louvre, the Rijksmuseum, the MET & the National Gallery, etc. could all lay claim to being the best art gallery. I will leave that debate for another day, or another post.

July 13, 2025July 29, 2025

Ponte Vecchio, Florence, Italy

Ponte Vecchio is one of the most iconic symbols of Florence. The beautiful bridge is translated to ‘Old Bridge’, but at times may have been referred to as ‘Florence’s bridge of Gold’. Overflowing with character, beautiful to view, etched in history and with a whiff of romance in the air, it draws the inevitable crowd.

My journey through Florence has taken me to churches, art galleries, restaurants and palaces. In my recent visit to Palazzo Vecchio, I learned, and you may recall, that ‘Vecchio’ means Old. A quick search immediately informs me that ‘Ponte’ means bridge.

Ponte Vecchio embodies the spirit of Florence. Its beauty, architecture, resistance, history, character and secret passage will all be explored in this blog.

Ponte Vecchio history

Ponte Vecchio crosses over the narrowest point of the River Arno. The River Arno is the largest river in the region and second most important river in central Italy after the Tiber. It runs from its source in the mountains close to the Tuscan and Emilia-Romagna border. The Arno flows across Tuscany to the Ligurian Sea at Pisa.

The Arno River, whilst I have always seen it looking peaceful in Florence, has an historic aggressive side to it. The river destroyed the original bridges when it burst its banks in 1333. That resulted in a new bridge being commissioned. The bridge took 5 years to be built and was completed in 1345. The bridge is an outstanding engineering achievement confirmed in that it still stands to this day.

Over the centuries Ponte Vecchio became a desirable meeting point, a place that has constantly evolved. Shops were constructed on the bridge to accommodate butchers, tanners, fish mongers, leather artisans, jewelers who plied their trade on the bridge which has always bustled with people.

The powerful Medici family has left evidence of its presence all over the city. Ponte Vecchio is no exception. I will explore this further in the blog, but Cosimo 1^st instructed his architect to build a “secret passage” that connected Palazzo Vecchio with Palazzo Pitti.

During World War II, when the German army was retreating from the British Army, Ponte Vecchio was not destroyed unlike all the other bridges in Florence. Rumours are that Hitler himself gave orders that the bridge was not to be destroyed. Instead, the buildings at each end of Ponte Vecchio were destroyed to halt the British advance.

In 1966 the Arno overflowed its banks. This tragic event killed over a hundred people and did so much damage and destruction to the city. Incredibly the bridge survived to tell another tale, so to speak, having been completely (shops as well) submerged under torrents of water.

Today Ponte Vecchio is now a must see for all visitors. The bridge is always packed with crowds. Romance sometimes feels in the air. It is a perfect spot to enjoy views of the River Arno and the City of Florence. Good are on sale in the shops. Although the gold trade may have diminished the sale of jewellery continues.

Ponte Vecchio Architecture

Taddeo Gaddi (a pupil of Giotto), it is believed, was designer and builder of Ponte Vecchio. Ponte Vecchio consists of 3 shallow segmental arches, a breakaway in design from the classical Roman bridge design.

The middle of the three arches is the largest with a 30m span and the arches either side spanning 27m. The 14^th century bridge is constructed out of stone. There are two islands in the middle of the bridge to support the arches. My research and studies teach me that these islands are often referred to as piers. They are connected to the riverbed by oak piles then surrounded by concrete and stone. The two piers feature triangular prows which assist in deflecting the river’s flow.

The bridge soon became the location of a medieval marketplace. One can imagine the frenzy on the bridge as ‘wheeling and dealing’ took place.

A byproduct of the marketplace was the smell of the goods sold there! Grand Duke Ferdinando I de’ Medici (1587-1609) was not happy with it and took merciless action. He sent the vendors away and instructed that the only shops allowed were goldsmiths and jewellers. Thus, the appellation ‘the bridge of gold’ was born. 48 shops grace the bridge. Trade is still common practice to this day, but only gold and jewellery are permitted there.

My research has also highlighted that the design of Ponte Vecchio may have inspired the ‘Pultney Bridge in Bath, England. Surely a reason to revisit Bath and explore the similarities. Both bridges just mentioned are part of 4 in the world that have shops across its full span on both sides (the other two being in Venice – Italy and Erfurt – Germany).

Benvenuto Cellini

Benvenuto Cellini was a 16^th century artist who started his career as a goldsmith and is honoured with a bronze bust sitting on a fountain in the middle of the bridge. Someone else I never knew existed! This educational journey makes that short lived.

An internet search informs me who he was. Not much of his work survives, which is perhaps why he is a little less known. He was a creator of a couple of famous pieces – the first one is a magnificent gold salt cellar made for Francis I of France, now in Vienna. Can’t remember seeing that in my visit.

The second is one that I have seen in Florence. This is the bronze statue of Perseus holding the head of Medusa. It now stands in the Loggia dei Lanzi which is very visible in the south corner of Piazza Signoria close to the entrance of Palazzo Vecchio.

Looking at Benvenuto Cellini and the River Arno

Vasari Corridor

The most eye-catching modification to the bridge came in the sixteenth century. Cosimo I de’ Medici instructed Giorgio Vasari to construct a corridor connecting Palazzo Vecchio and Uffizi Gallery with the Palazzo Pitti.

This corridor provided Cosimo and his successors (and their families) private access between their private residence (Pitti) and the city’s government building (Vecchio). The corridor was filled with paintings and busts of significant figures from Florentine history. This was done to show status, wealth and power.

The corridor recently opened after refurbishment and is very bland and empty, which is in stark contrast to Cosimo’s Walk. Access to the corridor is gained through the Uffizi Gallery.

View of Ponte Vecchio from Vasari Corridor

Conclusions

In conclusion Ponte Vecchio cannot be missed on a visit to Florence. Not many do miss it as it is always crowded with tourists. I prefer to view the bridge from different points around the city.

I found the Vasari corridor intriguing. How many know about the ‘secret passage’, I’m not sure.

Ponte Vecchio has played an important role in the history of the city, providing a path over the River Arno. The famous bridge has evolved over time, from a thriving marketplace to a refined, gold trading outlet.

It has withstood the power of nature and survived the bleak periods in the history of Florence. I’m sure it would have many stories to tell. My preference is viewing it from afar. Everybody flocks to Piazzale Michelangelo for a view of the bridge and city. The views here are stunning but I prefer to find a less crowded viewpoint.

My favourite so far has been in a nearby restaurant with an outside seating area overlooking the river. As I sip on some wine, the sun beats down and the bridge displays a kaleidoscope of colour. The golden moment is beautifully reflected in the peaceful Arno beneath. I ponder the need to revisit Bath to view a similar example. Then I consider if Ponte Vecchio is up there with some of the great bridges around the world. Maybe a different type of blog to write in the future.

March 16, 2025July 10, 2025

Bologna Cathedral, Bologna, Italy

Bologna Cathedral

As I leave my hotel and walk along Via Indipendenza towards Bologna’s city centre, I’m immediately drawn to a tall, imperious, church-like looking façade which is nestled almost secretly alongside buildings in the busy street. Bologna Cathedral is unlike other cathedrals I have visited (both home and abroad), Bologna’s cathedral seems to be a secret and is easily confused with the Basilica of San Petronio in Piazza Maggiore.

The locations of most cathedrals that I have visited are such that they normally dominate a square in the city centre. Such cathedrals stand proudly and majestically in sight for all to gaze in wonder and are hubs of activity. Normally a cathedral has a very commanding presence for a city but Bologna’s cathedral is shy and reserved in comparison. Although almost hidden as if a terraced property, it should not be ignored and provides a great place to start exploring Bologna.

The Metropolitan Cathedral of Saint Peter

This is Bologna’s cathedral’s full and proper name. In the 16^th century, Bologna’s bishop of the time was elevated by Pope Gregory XIII in 1582 to become an archbishop, which meant that the cathedral was given the rank of “metropolitan church”. Bologna’s cathedral then became the seat of the archbishop and gave the archbishop jurisdiction over the ecclesiastical territory (diocese), which included other cathedrals and their bishops.

Bologna’s archdiocese has three suffragan dioceses (dioceses other than the metropolitan archdiocese that constitute an ecclesiastical province). To the southeast of Bologna lies the Diocese of Imola (cathedral of Imola) and little further down the road the Diocese of Faenza-Modigliana (Faenza cathedral). To the northeast of Bologna, the third Diocese of Ferrara-Comacchio (Ferrara cathedral). I’m sure as we explore the churches and cathedrals in England we will come across many similar arrangements.

History of Bologna Cathedral

Looking at its history it is a bit of a calamitous church. Bologna’s cathedral is dedicated to San Pietro (Saint Peter), head of the apostles and the first pope. Most of the present building dates from the 17^th century with the cathedral’s origins being traced back to the 10^th and 11^th century. Its calamitous past has seen several changes over the centuries. It was ravaged by a fire in 1131 and damaged by an earthquake in 1222. This meant that the church was rebuilt a couple of times.

In 1477 two Ferrarese painters worked on the creation of a cycle of frescoes, and these would have had a significant influence on Niccolo dell ’Arca and Michelangelo. Sadly, the frescoes were lost in subsequent reconstruction. In 1599 the alterations made to the cathedral caused the vaults to collapse and the cathedral was then built from scratch and started in 1605.

Façade of Bologna Cathedral

Due to its location and its height it’s very hard to photograph the front of the cathedral. It has a very bland appearance and is constructed out of red stone. The façade that is seen today was built between 1743 and 1747 under the instructions of Pope Benedict XIV. The designs were completed by architect Alfonso Torregiani. Looking at the front of the cathedral, two statues may be seen – the one on the left is San Pietro and the one on the right is San Paolo (Saint Paul).

Inside Bologna cathedral

Walking into the cathedral nave, I immediately take my eyes off to colourful tiles in front of me and raise my eyes to the grand altar at the front of cathedral. There are golden pillars on each side with paintings on the ceiling and a coat of arms across the top. Looking at this display I notice the height of the ceiling of the whole room. Why so tall? Acoustics?

There are tall pillars on either side of the nave with chairs in the middle for the congregation to sit. The actual ceiling is very bland in appearance. In between the pillars there are different chapels, with paintings and lots of golden furnishings. In the first chapel (immediately on your right as you walk in) you will see a display of terracotta statues which is called the Lamentation of Christ. This was sculptured by Alfonse Lombardi between 1522 -1526.

Also, inside Bologna Cathedral it is possible to admire paintings by Prospero Fontana, Ludovico Carracci, Marcantonio Franceschini and Donato Creti. In the altar area is a wooden crucifix from the 12^th century.

Bologna Cathedral Crypt

A crypt is an underground vault which is normally used as a chapel or a burial place. Access to the crypt is permitted as part of a combined ticket with the bell tower and will cost you 5 euros and is only open on certain days and times. Lucky enough for it to be open on my visit, I took a visit to the crypt where I found a chapel and an archaeological site. The site has found remains of 10^th century Romanesque cathedral pillar beam, and also two beams from the 12^th century. In the nave they have put glass flooring in for viewing.

Bologna Cathedral Bell Tower

An incredible visit to the top of the tower is a must for those fit and daring enough. I quickly found out that the bell tower is a tower within a tower! The original tower is 40 metres high and survived the fire and earthquake mentioned earlier. In 1254 the bell tower that is seen today was constructed around the existing tower. The encompassing tower is now 70m high and is the second tallest tower in Bologna. The covered dome topping was added in 1426.

Its rather surreal when you climb the steps trapped between the two towers. When you arrive at the top, the views are incredible and give another perspective of Bologna’s skyline. Inside the bell tower are 4 bells, and the largest known as ‘nonna’ or ‘grandmother’ weighs 33 quintals. It takes a funny upside-down position. The bells are rung “in the Bolognese way” and this requires 23 people to ring the bells.

Conclusions

A secretive cathedral and possibly the most important church in Bologna. I’m sure many people like me would confuse Bologna Cathedral with the dominating and unfinished Basilica in Piazza Maggiore which has the appearance and location of a cathedral but as we have learned doesn’t have the archbishop.

I have learned that this church is the head of the archdiocese and I will have to visit the cathedrals in nearby Ferrara, Imola and Faenza, which make up Bologna’s diocese. A visit to the tower is always worth the hard work of climbing the stairs (I forgot to count how many) which gives a totally different view of the city.

I hope you enjoy this blog. For those planning a visit to Bologna in the future, ignore it at your peril. For those who have been please let me know your thoughts.

August 21, 2024May 12, 2025

A Tuscan Fairytale, Castello di San Fabiano, Siena, Italy

The sun is sinking in the west, its rays radiating an array of colours that light up the sky. The sound of enjoyment and the chink of glasses combine with nature’s evening song to disturb the peaceful end to the day. Each evening we both take a moment to appreciate not only nature’s final daily display but the sight of our friends and families together as one.

Whisper it very quietly, but we have a secret to share (and one we hope remains a sort of secret!). This is a place with which we fell in love the moment we saw it and now a place we will never forget, and one that will live long in the memories. This place oozes warmth, generosity and friendship. It’s almost secretly but idyllically set in the Crete Senesi region, among the clay hills south of Siena and near the Arbia River. Here lies the romantic and intimate Castello di San Fabiano.

Our fairytale gave birth to new friendships, strengthened existing ones and opened the eyes of many to our fascination with travel and history. This castle has a rich and diverse history. It takes the form of a small hamlet and like most places with a long-standing history was built around a small church of which we have proof dates to 867 AD. The small and enchanting church was a stopping place for pilgrims and is dedicated to St. Fabian, to the pope and to martyrs. There is an apse from the 9^th century, some of it may be dated to the Romanesque era, and a façade was completed in the 18^th century. I’m sure as we continue to revisit, we will spend some more time with Andrea, the present owner, and learn and explore its full history, but he did mention on a memorable night on the day after our wedding that there is a document confirming this very early date.

Between the church and the castle are the beautiful gardens that surround the castle on all sides. These charming gardens played host to our coming together, with nature in abundance and the aromas of rose bushes and lemon trees which have been planted amongst the cypress trees giving that beautiful Tuscan vibe. The castle was built to protect the nearby ford as this was one of the only passing places along the river apart from a Roman bridge a bit further downstream. The fortifications that took place meant that the towers were created to assist with communication with nearby Siena. The towers that are seen today were built at the turn of the 13^th century, and a visit to the highest accessible point is a must to sit and savour a glass of wine as the sun sets. You can see all of Siena’s skyline as the sun sets behind it and perhaps you can think about picking up the fire signals of yesteryear. The castle did see some “action” when the king of Naples army laid siege in 1409 AD. They decided that this would be a perfect post station for the long journey from Naples to Paris. It then passed into the hands of the powerful Sienese family for the next 500 or so years before changing hands a few times to be purchased by the Fiorentini family.

We can be grateful to Andrea’s father (Giovani’s grandfather) for purchasing it and to the family for their continued labour of love that they have invested and continue to take on to preserve such a charming place. Spending time with the family is an honour and privilege to learn about the place. Perhaps the castle and the surrounding countryside is a secret that is worth keeping to ourselves but we have started to share not only its location but its vibrancy on our recent big event and have been surprised to see how many accepted the invitation to come and now, perhaps, share an admiration for such a place. Words perhaps can’t describe how much this place means to us both; we hope it won’t be long until we return.

Castello di San Fabiano, Crete Senesi Gravel Ritorno, Monteroni d'Arbia, Siena, Tuscany, 53014, Italy