Dunster Castle, Dunster, Exmoor

Dunster Castle

The strength and power of England is encapsulated in the majestic view of Dunster Castle which is gained when arriving along the A39. The view from the railway line that runs between Minehead and Bishop’s Lydeard (now run by the West Somerset Railway and using preserved steam and diesel locomotives) is equally grand. It’s an artist’s dream and quite photogenic. Cattle graze lazily to give a canvas of England’s green and glorious lands which lay low in foreground coupled with the darker hues of green which grace the hills that surround Dunster castle and village in the background. Between the two and perched on top of the tor, Dunster Castle is a classic picture of English stately elegance. The exotic and diverse shades of greenery surrounding the castle almost camouflage its very existence. Read on as my ‘education through exploration’ follows on from my visit to St George’s church. In St George’s we discovered two family names – de Mohun and Luttrell. On this visit I discovered that they were the only families to own the castle. A visit to Dunster Castle explores 1000 years of history and expands my recently acquired knowledge and caused me to search for further details regarding the families. During my tour of the castle I made a fascinating discovery before going off to explore the castle grounds and working watermill. 

The de Mohun’s – a medieval military base – 1086-1376

The castle’s history covers all the great and iconic moments of England’s history over the past 1000 years. If buildings could talk, I’m sure that it would have many tales to tell. Dunster Castle’s history begins not long after the Norman invasion of 1066 and subsequent victory at the battle of Hastings. William de Moyon (this was his French name, and he adapted this to his English family name of de Mohun) was a Norman lord who assisted William in his conquering invasion. His efforts and loyalty were rewarded when he was granted some 55 west county manors which included lands in and around Dunster. In 1084 he became the sheriff of Somerset and is also credited with the founding of Dunster Priory (which we learnt about in our visit to St George’s Church). His son William de Mohun II became the first Earl of Somerset and between him and his father set about building a motte and bailey timber castle atop the tor to keep guard over a rebellious west country. William de Mohun II was the most prominent of the de Mohuns, becoming infamous in the west country during the power struggle between Matilda and Stephen in the Civil War of 1139-1153. The castle was run by the de Mohuns for about 300 years. During the ownership of the castle by the de Mohuns, they built it into a powerful medieval stronghold as stone battlements, towers (there is half a tower remaining) and the lower-level gateway and oak doors (the only complete parts that remain) were added to its fortifications. In 1376 John de Mohun died and was the last senior male in the line of the de Mohuns of Dunster. Having no heir, his widow, Joan, then decided to sell the castle to Lady Elizabeth Luttrell (you might remember her name, when we discovered her tomb in St George’s church). Lady Elizabeth was the head of the Luttrell family and agreed to pay 5000 marks (in England and Scotland we used marks as having monetary value though they did not appear as a physical coin; their value at this this time was two thirds of a pound sterling) to transfer the ownership of the Dunster castle and estate post Joan’s death.

The Luttrell’s – a family home 1376 – 1976

Lady Elizabeth (a granddaughter of Edward I) died before Joan, so her son Sir Hugh Luttrell acquired the castle after Joan’s death in 1404. You can begin to see why he had such a grand tomb in St George’s church as the first of the Luttrells to own the castle. Sir Hugh didn’t move into the castle till Christmas 1405 but set about repairing and expanding it into a country home fit for the family. This included glazing all the windows and, in 1420, building the gatehouse (at a cost of £250) by which entrance to the castle is made to this day.
When the quick tempered and argumentative George Luttrell inherited the castle in 1571, he set about converting it into a luxurious country home. In 1617 he employed William Arnold (a master mason and designer who had worked on Wadham College, Oxford and Montacute House, Somerset) to reform the castle into a Jacobean-style mansion (James I was king of England at the time).
Luttrell allegiances during the years of the Civil Wars of 1642-1651 changed back and forth. They were on the side of Parliament when the wars broke out. When the castle was under attack by the Royalists (those loyal to King Charles I), the Luttrells surrendered to the Royalists and switched sides! This change in allegiance meant that Prince Charles (later Charles II king of England, Scotland and Ireland 1660-1685) stayed in the castle (a bedroom has been named after him). Parliament forces then seized the castle in 1645.
After the war Oliver Cromwell (Lord Protector of England, Scotland and Ireland 1653-1658) decided that the castle walls needed to be demolished to ‘slight’ the castle (we saw the same evidence of this when we visited Berkley Castle, Gloucestershire). It took about 200 men 12 days to complete his wishes. Thankfully, and for our benefit George Luttrell managed to convince the men to only destroy the outer walls.

After the turmoil of the English Civil Wars and over the next few centuries, each generation of Luttrells spent money on improving the “castle” (castle in inverted commas as it became a country mansion rather than remain a castle). One of those whose improvements that can still be seen today happened after Francis Luttrell married a wealthy Dorset heiress, Mary Tregonwell, in 1680. She brought much needed funds to the project. These additions included the wooden staircase that provides us with access between the two floors, a new dining room and elaborate plasterwork ceilings.
Other improvements were made by the next generations, which included the employment of Salvin. He altered the exterior of the house to resemble a castle once more. Two new towers and battlements were added to give it a more aesthetic appearance. George Luttrell inherited the house in 1867, and with the help of Salvin they altered the exterior of the property by building two new towers and adding some additional battlements to ensure a more picturesque castle. He probably did as much destruction as he did construction, as, sadly, he removed the chapel. His extensive modernization project also included the supply of running hot water, the conservatory, Victorian windows, a billiard room, drawing room, a library, outer hall and a new gallery on the first floor.
The end of the Luttrells’ association with Dunster Caste came in 1976 when Lieutenant Colonel Walter Luttrell gave the castle to the National Trust thus concluding his family’s fascinating history with Dunster Castle.
Dunster Castle has a fascinating history from its origins as a Norman and medieval fortress before evolving into a family home. The current keepers of the castle are the National Trust who do a great job striking the right balance between conserving the castle and allowing people to enjoy its special charm and character.

The leather Gallery In Dunster Castle

One room in a tour of the castle requires special attention as the works displayed there are unique. A conversation with the gentleman who kept an eye on this room’s treasures revealed that if there was a fire then everyone would run to this room to save the paintings. The paintings on display depict the love story of Roman general Anthony and the Egyptian queen Cleopatra. The detail in these paintings is incredible and unique as they’re painted on leather. Details of how they were produced is given on note boards. On closer inspection one can see where the work was cut and stuck back together. As I read my guidebook it informs me that, as they weren’t commissioned for Dunster, they were altered to fit the room. It is astonishing that such works of art were so freely cut and rehung. As the only collection in the UK, they should draw a crowd, but I wonder how many pass by, blissfully unaware of the significance and wealth in these paintings.

Dunster Castle gardens

Remember our first view of Dunster Castle, where an exotic and diverse view of greenery almost camouflages the castle! One imagines that this was not always the case, as we learnt about the castle’s strategic importance. Flourishing flowers and green trees would have been the last thing on a garrison’s mind. It was during the Luttrell family occupancy that the castle became a family home, and changes were also made to the gardens. The castle’s location perched on top of a tor means that the gardens are steep. Different Luttrells have added their splash of creativity to the gardens as fashion and trends have changed through the centuries. It was in the 19th and 20th century that the garden really took the form that we see today as George Luttrell built an impressive Victorian garden full of terraces and colorful borders. But it was Alys Luttrell, an avid gardener and plant collector, who transformed the Victorian garden into a subtropical haven. Dunster’s climate provides the opportunity to thrive! Meandering along the eastern edge of the castle grounds is the river Avill.

Watermill

The river Avill provides the water to power this working watermill. A watermill was a necessity years ago, but it is remarkable to see one still in action and producing goods. The watermill currently produces 14 tonnes of flour a year.

Conclusion

Dunster Castle has provided a fascinating insight into the history of two families closely associated with the village of Dunster. Details of this history are in notes on display in the various rooms of Dunster castle. Specialized tours are also available at various times and at an extra cost. Dunster Castle is a lesser-known castle compared to some of the more illustrious of our land, Windsor, Edinburgh, Warwick, Cardiff, Dover, etc. It is, however, fascinating with its own story to tell. My explorations have built on the initial findings made in St Georges Church as meaning was put to the names of the tombs found inside the church. Dunster Castle has survived the ravages of war and somehow managed to remain in the family during so many political and social changes. As the castle has evolved the transformation from a timber motte and bailey into a splendid country house is remarkable and well worth a visit. Though no longer a family home it has been carefully passed on to the public to enjoy as their country home!! I hope, like me, you enjoy a visit to this castle, and feel free to let me know your thoughts!

St George’s Church, Dunster

St George's Church - Dunster

The dreamy and historic village of Dunster, Somerset, England, is situated on the northeastern edge of Exmoor National Park. Like most villages, towns and cities in England there is a church at its heart. St George’s church in Dunster is in a prominent setting also like other towns and villages across the land. England’s rich history is entwined with religion. In fact, religion has shaped our country through the centuries to leave us with a fascinating and complex mixture of various Christian based faiths and buildings. The priory church of St George’s church in Dunster provides the perfect starting point to learn not only about this church and the Church of England in general, but, about Dunster and its associated history. Read on as this ‘education through exploration’ examines the fascinating St George’s Church.

Outside St George's Church

When arriving at a church one is normally drawn to its grand appearance, majestic architecture and lavish decorations (certainly true in some of the churches and cathedrals that have been recently visited – see elsewhere on Marks Meanderings) but St George’s church is not lavish or grand in appearance from ground level. St George’s Church is a reddish sandstone colour. Walking through the graveyard that surrounds it you may notice a preaching cross. This marks the spot where preachers addressed parishioners. As you walk around the church you will immediately notice a smallish tower in the middle of the church but it’s not until a postcard is examined that the layout of the church is revealed. Looking from above or flying over the building it appears that it has been constructed in the shape of a cross, and this is surely by design to represent the cross on which Christ was crucified.

St George's Church Nave

My church building education begins with a step inside St George’s church from the southern entrance. Entrance is made into the ‘nave’. Traditionally a ‘nave’ runs from the western entrance to the transepts (we will learn about these later). The axis for most ancient church buildings is east west. The nave (Latin for ship; think naval) is easily recognised as the place where a congregation generally sits. Historically, wooden pews were lined up either side of central aisle (a common set up in an English church) and some of these were boxed pews of which may remain. Large pillars support the structure (especially the roof), and pews often are designed to let the congregation see what happens without having their view obstructed. These days there are many places where individual seats are used, then stacked and stored for another service to allow visitors the freedom of the nave. The pillars at St George’s Church date back to the 15th century which was a wealthy period for Dunster and when wealth was invested in church building. In St George’s Church the ceiling and roof are of a fascinating timber construction where the trusses have been spread the length of it, and this, to my mind, is a perfect illustration of how roof construction takes place. On the western face of the church is the main entrance to the church, which is generally used on special occasions. The doors here are basically Norman but were heavily restored in 1860s. Surmounted above the door is a circular stained-glass window. Between the two entrances is the font (this holds the water used in Holy Baptism). You will generally find the font at the entrance to a church as when a baptism takes place it symbolises an individual being admitted into the church. At the opposite end but on the northern side is the pulpit (the pulpit being where sermons were generally delivered from). This pulpit dates to Victorian times.

The screen at St George's Church

As we leave the nave we come to the main educational point in this exploration, a beautifully carved timber frame that runs the entire width of the church. This ornate, timber partition is known as the ‘screen’ or ‘roodscreen’ (rood is derived from a Saxon word meaning cross) and the one at St George’s is rumoured to be the longest in England/Europe, depending on your source of information. The church was originally a priory church and the main religious centre in Dunster. As a result of Dunster’s newfound wealth, which came through the wool trade, there was a need for a church for the townsfolk. This dispute was settled after an arbitration at Glastonbury (I assume Glastonbury Abbey and that this was when the country was Roman Catholic, and abbeys were the power of the land (cathedrals didn’t really exist till Henry VIII pulled us out of Roman Catholic rule). A future visit to Glastonbury Abbey may shed some light on this).  The result of the tribunal ruled that the area to the east of the transepts should become the Priory Church with the remaining area (the nave) to be the Parish Church.

The Transepts at St George's Church

As we step through the beautifully carved screen (there is an abundance of these beautiful roodscreens in the West Country) we pass through the choir area and enter the ‘chancel’. This is the area of St George’s church, the centre of the cross as looking from above if we like, where the high altar is situated with the tower directly above. Then to the north and south of the chancel are what is referred to as the transepts. Transepts relate to the two parts forming the cross shape. The southern transept now houses a bookstall and a café with seating area. An additional chapel was added to the southern transept and eastern part of the church in the 14th century. This is known as St Lawrence Chapel.

High Altar

St Lawerence Chapel

Between the southern transept area and the chapel are other artefacts of interest – 3 chests, a tomb and a monument. The tomb and monument demand closer inspection. The Luttrell monument is raised to the memory of Thomas Luttrell, his wife and son (George) and wife. The tomb on the floor is that of Lady Elizabeth Luttrell mother of Sir Hugh Luttrell. This family name is  integral to Dreamy Dunster’s history, and one that I will certainly learn a lot more about as these meanderings progress.

The Priory Church

The eastern part of the St George’s church (or the top of the cross when looking from above) is known as the Priory Church. It also goes by the name of the Lutrell chapel. In the corner on the southern side of this church is a tomb, which is said to be the tomb of Lady Christian de Mohun, a name that will be referenced again as we broaden our explorations. Opposite her tomb is the tomb slab of Sir Hugh Luttrell and his wife Catherine de Beaumont. Sir Hugh was the first member of the family to take possession of the Dunster Estate, and don’t forget his mother’s tomb was in St Lawerence Chapel.

The de Mohun Chantry

This area of the church is located on the far northeastern corner of the church and was formerly known as the Holy Trinty Chantry. It is the only remaining chantry chapel of 3 that were part of the church. The chapel was founded in 1491 by Henry Franke (I can’t see a connection with the current name given to the chapel). An information board provided me with the following: ‘When a chantry chapel was founded and endowed, a priest, or chaplain, would be appointed to say prayers for the souls of the founders. The priest was appointed by Feoffors (trustees) and he was independent of the church’s incumbent’.

Summary

Thus concludes my exploration of the Church of St George in Dunster. It has been a fascinating experience, and I have learned more as I have explored in more detail than when I have visited other churches. I am beginning to come to terms like nave, chancel, roodscreen, transept, etc. as I have taken more interest in the inner architecture and structure of a church. This will be a journey where more terminology will be discovered. Almost by chance, we discovered the largest roodscreen in England that was used to create a barrier between the townsfolk and the priory, and this has led to a link with Glastonbury and its abbey (I can’t wait to explore this one). The church is one of the furthest from Bath in the diocese of Bath & Wells. As a starting point to exploring the village of Dunster it has been enlightening, and I reckon that I will be seeing the names of Lutrell and de Mohun a lot more as I make my way around the town and not only here but further afield.